It's about time that I put my limited knowledge and half-baked opinions of music to work - by reviewing song new rock songs.

"The Best Of You" - Foo Fighters
This song gets better every time I hear it. The problem is, Dave Grohl has been talkin' up the new album saying its very 'hard'- This song isn't. "Best" is a good song that doesn't live up to Foo Hype.

"Little Sister" - Queens Of The Stone Age
A good song the first forty times a heard it, after that...Eh.

"Beverly Hills" - Weezer
In a word...Disappointment. Fun song the first couple of times through but it grows old quick. I can't tell if the song is making fun of or loving Beverly Hills, which annoys me - Weezer should be spoofing B.H.

Plus, the video is set at the PLAYBOY MANSION and all the director does is get a group of people clapping as they sit around The Weez playing - Lame.

"Be Yourself" - Audioslave
Way too radio friendly and safe for musicians of their ilk. Especially for a hard rock band's first release. A nice song from a band that shouldn't play nice.

"Happy" - Mudvayne
This is the kind of song that good metal bands produce. Reigned in just enough to get radio play but still hard. This song gives Mudvayne a chance to become a very relevant band in the rock scene.


The Fastest Hour In Television

Do you like movies? Ya like the TV shows? Do you like to hate people? Hear and see old guys yell? See people get pissed off at each other one hour, then hug the next? Do you like seeing chubby men take a bath?


Project Greenlight (now in it's third season, on it's new network "Bravo" [Thursday nights]), is a reality show that brings a beginning writer/s and director together to try and make a low-budget indi' movie. The wanna-be's get a studio backing but have little money to work with. (If they gave them a lot of money, the show wouldn't be as dramatic)

This season (the third)has been "dramatic" as hell. Fighting, people being fired, the director being almost fired (twice), the writers already getting an assignment for another movie before production started on their PGL script ("Feast") and the season is only half over. All this while pseudo brothers Matt Damon and Ben Affleck executive produce from afar.

A couple episodes ago, a big brewhaha-hahaha-ha happened when a casting director (Michelle Gertz) appeared to go behind some backs to get an actress cast that the director [John Gulager] didn't want. Message boards and Blogs jumped all over Michelle (me being one of the biggest jumpers) calling her everything in the book (I said don't trust her or hire her - What the hell do I know?).

Turns out that it was more about dramatic editing than Michelle being a bad casting director. Executive Producer Chris Moore (who has been fun to watch every season) recently wrote his own blog in defense of Michelle:

In Defense of Michelle Gertz
Episode 6

For today's BLOG I am going to write about Michelle Gertz. Michelle is getting killed on the show because John wanted her only to cater to him. As an executive producer of both the movie and the show we had to make some hard decisions on how Michelle came across. It was John's point of view, not mine, the producers or the studio that ultimately made it to air. We all love Michelle and would work with her again. John revealed early on that he wanted to cast his family in the movie and that marketability did not matter to him. The studio, Dimension, and I gave Michelle clear directives to keep us posted and to not allow John to control the information getting to us. We also asked her to look out for the marketing of the movie. Finally, and most importantly, we asked her to give us her opinion, even when it differed from John's.

Unfortunately, you didn't get to see any of this in the show, mostly because none of it happened while the cameras were around. I want everyone to know that Michelle did her job and saved the movie from absolute failure by going around John when she did. I have worked with her many times and in different situations she plays her role perfectly. She is always respectful and works well with directors. Project Greenlight is different because it is a contest winner not a director at the beginning. John became a director but during the casting process he was still acting like a contest winner. Michelle saved him and us from that. Please stop the anger and diatribes toward her. She is a sweet, smart, strong, fun to work with casting director and it makes me sad that Project Greenlight is doing anything but helping her. I would work with her again. Sometimes for dramatic purposes or because there is not enough time, the show only gives a quick view of something that is far more complicated than it appears on the show.
-Chris Moore
(courtesy of bravotv.com)

Ya see people, drama. It's real drama too, not that goofy kind like on American Idol (those people suck this year, don't they?)

So start watching already - Then you could know what the hell I'm talking about when I say "Watch a chubby man take a bath."


Where Hollywood's Real Power Is

If you were sitting around the other day, thinking about the most powerful people in reality television (why you would, I don't know, but I have), the first person that would pop into your head might not be the show's editor, but it should be.

A couple of weeks ago, on the Bravo reality show "Project Greenlight" (a contest to give unknown Writers and Directors a chance to make a real movie, in this case "Feast"), Michelle Gertz (Casting Director for the film "Feast") found out how powerful an editor of a reality show can be.

Michelle and the Director [John Gularger]had been working to cast the film and got to the role of Heroin. A finalist for that role was the actress Navi Rawat. John had been shown, in interviews and clips, to not like Navi for the part. The show's Producers [Joel Soisson and Mike Leahy] also seemed to agree she wasn't right. Michelle was shown to be a big fan of Navi and really pushing for Navi to win the role.

The studio decides to go with Navi for the role. The Director and Producers are a bit stunned, thinking she wasn't really still around to be picked. Then, through the shows editing, Michelle is shown on the phone with Navi's agent and Navi, looking as if she is friends with Navi, celebrating her getting the part.

In the end it looked as if Michelle quietly got the studio to pick Navi, behind Gulager's, Soisson's and Leahy's back. (Director's and Producers wouldn't exactly be able to trust a Casting Director if they knew they behaved like that.)

The show's viewer is at the mercy of the editor. If that's all they are going to show, that's all we are going to know (that was lame...sorry). Maybe Gertz did nothing behind their backs. She just went to the Studio with all of the names for Heroin and they happened to like Navi.

But why would the editor show that? That's not a "powerful" show. Powerfully boring maybe.


Softball Is For Posers

I admit it, I play Wiffleball. Go ahead and laugh but you're probably just jealous.

What's that you say? You can't be jealous because you don't know what Wiffleball is? Well, you're not the only one with questions about Wiffleball. When I'm having a conversation with someone and they find out I play Wiffleball, I get many questions. Well, Okay, not many questions but there are a few, such as:

-You play what now?
-Is that the ball with the holes?
-Ha Ha Ha Ha Ha, ya right...wait, you're serious?
-Hey, my five year old and I play that.
-Wiffleball, that's cool. (No idea what Wiffleball is.)

Actually the most common reaction I get is a polite smile and head nod. But I just know that they're thinking "I knew he was a dork but ,WOW, I had no idea".

Okay, I'll concede that an adult playing Wiffleball is a bit on the geek side, but it shouldn't be considered any worse than playing Softball.

Like Softball, Wiffleball is just a modified version of Baseball. But Wiffleball has the element of pitching that Softball (well slow pitch anyway) doesn't have. In Wiffleball, you have all of the types of pitches that Baseball has plus a couple extra ( the "Cadiwampus" is very popular). Softball just has the Toss-it-up-there-so-the-girl-from-Service-Deli-can-hit-it and the Huck-the-holy-hell-out-of-it under-arm pitch.

Softball does have the fact that the ball is close to being hard as a baseball and you need an aluminum bat, like college Baseball (ohhh yes, aluminum bats in college Baseball, I smell another column). Also, your not going to get hurt with a Wiffleball like you could a Softball. Although if you've been hit square in the 'junk' with a Wiffleball ,like most of us have, you wouldn't say that!

A major stumbling block for making Wiffleball considered a less dorky sport is the whole "played it as a kid and then I discovered there are these strange creatures called girls" thing.

Now that I have managed to fool a girl into marrying me, the fact that Wiffleball is considered a kids game, to me, is one of it's selling points. Every time we play I get a little flashback of when I played as a ten year old. Summer days of going from morning till dinner, no matter how damn hot it got (by the way, an August Fresno day feels like Heatmiser himself is lurking about). Threre are some moments, while playing, when it feels like no time has passed at all.

I hope that one day Wiffleball can break out of that kid/geek stigma and become a more respectable sport (yea, you know, like Bowling or Dodgeball). I will be waiting with ball and Banana Bat in hand.

Now are you jealous?

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*Also check out my Wiffleball League Website:FWL


I'm Goin' Ta Hell

Is it wrong that the first thing I thought of when I saw this picture was the "Bring Out Your Dead" scene from "Monty Python and the Holy Grail"?

Yep, I'm going hell for sure now.

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